While movies such as Interstellar, Moonlight, The Dark Knight, and Wall-E are widely regarded as 21st-century classics, a less-than-likely indie Korean film has stealthily stolen the title. In an enormous survey run by The New York Times, Bong Joon-ho’s 2019 film Parasite has come out as the best film of the 21st century to date, outranking dozens of American and international classics.
The Plot: A Class War Dressed Up as Black Comedy
Parasite is the stunningly suspenseful tale of the downtrodden Kim family, who scheme their way into the upscale mansion of the privileged Park family by pretending to be skilled professionals. What starts out as an offbeat social satire quickly becomes a gripping, genre-bending thriller that lays bare the seedy underbelly of class disparity, greed, and desperation. Bong Joon-ho’s incisive direction and screenwriting expertly interweave humor, horror, and heartbreak.
Breaking Boundaries: First Non-English Best Picture Winner
When it took home the Palme d’Or at the 2019 Cannes Film Festival, people knew something big was coming. But few predicted Parasite would continue and make history as the first non-English-language film to be Best Picture at the 2020 Oscars. It also won for Best Director, Best Original Screenplay, and Best International Feature—solidifying its place in international cinema.
The Shift: International Appreciation of Asian Storytelling
In leading the NYT’s “best of the century” list, Parasite beat out classic favorites such as There Will Be Blood and Mulholland Drive, evidencing a definitive shift in how audiences and critics prioritize international films. It demonstrates that engaging stories with local characters can leave a global impression, thanks in part to streaming services and a demand for diverse, non-Hollywood narratives.
The Legacy: It’s More Than a Movie
Parasite is more than a film achievement—it’s a cultural milestone. Its triumph introduced Korean filmmaking to the world and paved the way for Korean storytellers to enter the international scene. With a story that transcends cultures and impeccable production, the film still mesmerizes new viewers. For everyone fed up with conventional Oscar-winning fare, this independent masterpiece is a must-see—and a testament that quality stories don’t have borders.
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